Symbols engraved in the wood of the tables or written on the desks or the walls of public toilets.
Features of humour or philosophy, poetry, despair, support to a team, a land, a country, a neighbourhood.
Sometimes simply a date and a name saying I was there, I existed here
Esoteric drawings, cartoon characters, caricatures, song lyrics, regrets, love words for an idol, a man, a woman
Words of hatreds, obscenities, traces of identity left everywhere. The reflection of these human beings,
Follow one another, being like each other, melted strings of parallel destinies. They try to tell they're alive.
They wish they wouldn't be forgotten. As they got print by the sand glass for the eyes that follow
credits
from Kadavreski [2005],
released January 28, 2013
Lyrics by Sylvain Bégot
Music by Sylvain Bégot & Anthemon
supported by 5 fans who also own “Print Of The Sand Glass”
L'espace est suffisamment grand pour toujours explorer de nouveaux endroits : cette philosophie s'applique à Okta Khora et même à la discographie de Monolithe en général. Un concept album avec une histoire plus tangible — une lutte contre une race alien qui tente de ramener l'univers au Chaos primordial — qui repose sur une architecture géométrique ; une brillante symphonie (les deux "Ignite The Heavens") qui danse harmonieusement avec un funeral doom exceptionnel ("Dissonant Occurrence") ! Jordan Vauvert
supported by 4 fans who also own “Print Of The Sand Glass”
Very late to this, but I'm glad I found it. The very brand of melodic death/doom I savor so much. Soaring leads, haunting riffs, and melancholic vocals. Everything I hold dearest in music. Brett (Lascaille's Shroud / Soulmass)